The Last Airbender speech patterns of 45 characters : television

The Last Airbender speech patterns of 45 characters : television

I feel each character in “Avatar: The Final Airbender” has a easy summary talking sample

you may formulate these patterns with the assistance of some ideas that I hope might be intuitive sufficient (so let’s attempt to grasp all the weather!))

I included hyperlinks to the official YouTube Channel and wikipedia that can assist you navigate the submit… hyperlinks might be very spoiler-ish.

Beware: it is a extremely speculative concept and I am simply your common uneducated Joe (not a linguist). Could also be complete rubbish… but it surely’s crucial for me anyway, it is not some deliberate joke.

Please view it as my try at a christmas current/a christmas effort (I attempted very arduous to get all of it finished in/after the New 12 months!)

I’ll quote

  • Katara, Aang, Yue, Sokka, Suki, Toph, Zuko (7) Ursa, Ozai, Avatar Kyoshi, Avatar Roku, Hakoda (12)

  • Ty Lee, Iroh, Mai, Bato, Piandao (17) Jeong Jeong, Pakku, Azula, Bumi (21)

  • Lion turtle, Avatar Kuruk, Wan Shi Tong, Hama, Koh the Face Stealer (26) Warden (jail), Common Fong, Admiral Zhao, Kuei the Earth King, Joo Dee, Lengthy Feng (32)

  • Jet, Smellerbee, Longshot, Teo, Mechanist (37) Professor Zei, Guru Pathik, Monk Gyatso, Hahn (associated to Yue), Chan (seashore celebration) (42)

  • Avatar Yangchen, June (seeker), Aunt Wu (the fortuneteller) (45)


(Common description of the concept)

A spoken message has 2 ranges. The “circulation” of data (the way it comes) and the “form” of what this info describes. It is like a river: while you’re shut you see the circulation of the river, while you’re far-off you see the form of the river.

To explain a single degree you want 2 ideas, 2 (mutually unique?) options. Why? I do not know.

Perhaps as a result of any spoken message has 2 “modes”, “extra related” and “much less related”. For instance:

“I can not unfastened! (a) If I unfastened, I will not have the ability to assist my mates! (b)”

You possibly can assume that (a) follows from (b) or that (a) and (b) simply state the matter of reality and each observe from one thing else. Relying on the interpretation you may view (b) as e.g. a situation or a context.

Merely talking, the concept is to make some ideas you may apply to speech after which to use it to completely different fundamental “ranges” and “interpretations” of a spoken message and so you get an outline of a “speech sample”. Please inform me if that concept about “ranges” is intuitive sufficient!


So let’s study all of the forms of “jing” already

on low degree Katara jumps (-) from a factor to a factor or expands (>) info

on excessive degree Katara shortly characterizes the scenario (++) or tells (an important) standalone details (.)

A easy instance of (-) is “Let’s go for a stroll! By the way in which, the place’s my hat?”: it is not incoherent within the context, however there isn’t any apparent connection. (-) is a wild card, it means no connection or any connection.

A easy instance of (>) is “I used to be going to the bookstore. I used to be counting flowers on the way in which”: on this instance you simply increase on the factor you already stated.

A easy instance of (++) is “I am misplaced within the forest and do not know what to do!”: this shortly characterizes the scenario or describes a incontrovertible fact that causes steady implications (an issue that must be solved).

(.) is a bunch of standalone details/occasions that do not want any context to be understood, each little bit of (.)-speech is a self-sustained level. A easy instance of (.) is “I will not surrender. Giving up is not an possibility. Any drawback has an answer”: on this instance you may cut up the speech into items (like “I will not surrender”) with out shedding any context…

  • These individuals are ravenous! However you’d flip your again on them? (-)(>) How will you be so chilly and heartless?

  • No, I’ll by no means, ever flip my again on individuals who want me! (-)(>) I am happening to that village, and I’m gonna do no matter I can. (gonna clarify:)

(on low degree) Katara jumps from the earlier factor to the following one or expands the earlier one, (on excessive degree) Katara describes the issue that she needs to be solved anyhow or simply standalone details

This sample can also be the “form” of Katara’s plot: on low degree Katara is in a longing ongoing scenario, on excessive degree Katara is within the epicenter of an important scenario inflicting fixed implications… on low degree Katara offers with yearnings of an unintentional ongoing scenario, on excessive degree Katara offers with penalties of an important scenario (the true chief captain of the Gaang!))

on low degree Aang jumps (-) from a subject to a subject or provides (+) on (variations of) matters

on excessive degree Aang describes “the panorama of the scenario” (==) or tells (most vital) standalone details (.)

(-) is a wild card, it means no connection or any connection.

А easy instance of (+) is “I like ice cream! What an excellent day to like ice cream! It is so good to have the ability to love one thing!”: on this instance you simply preserve piling up new matters or new variations of the identical subject on and on.

A easy instance of (==) is “We run out of ammo and are very drained. Our morale is low. Enemies are surrounding us and it is getting darkish…”. On this instance you see an outline of various particulars of the general scenario (and that is what I name “the panorama of the scenario”).

(.) is a bunch of standalone details/occasions that do not want any context to be understood, each little bit of (.)-speech is a self-sustained level… you may cut up such speech into items with out shedding any context…

  • Your days of tyranny are over, Hearth Lord. (-)(+) I am bringing you down! (-)(+) And this time, I introduced pants.

  • Look, I admire what you guys are saying, (-)(+) however the stress and the nightmares. They have been simply an excessive amount of. (-)(+) Staying awake is the easiest way for me to cope with it. (gonna clarify:)

(on low degree) Aang jumps from a factor to a factor or provides on matters/variations of the identical subject, (on excessive degree) Aang describes particulars of the scenario with sleep issues or tells (an important) standalone details

This sample can also be the “form” of Aang’s plot: on low degree Aang offers with an unintentional piling up scenario (just like the stress and no sleep), on excessive degree Aang strikes to an important occasion on the earth/his life proper now (just like the invasion and the Ozai struggle)

I quoted s3e3 “The Painted Girl” and s3e9 “Nightmares and Daydreams”


on low degree Yue tells logically/actually related or equal (=) bits or provides (+) on (variations of) matters

on excessive degree Yue describes “the panorama of the scenario” (==) or tells (most vital) standalone details (.)

A easy instance of (=) is “You possibly can’t beat me! I’m the champion of the galaxy, I’m the perfect!”: it describes actually/logically related or form of equal issues or a really robust situation.

(==) describes completely different particulars of the identical general scenario…

Yue is mainly Aang, however with logic (=) as an alternative of randomness (-).

  • I want we may simply be mates, however I such as you an excessive amount of and it is too complicated to be round you. (+)(=) I am marrying another person!

  • However, you must. (+)(=) You are the Avatar. (gonna clarify:)

(on low degree) Yue tells robust situations or provides on (variations of) matters, (on excessive degree) Yue describes particulars of the scenario with the wedding/the siege and her/Aang’s duties or tells (an important) standalone details (like “You are the Avatar”)

This sample can also be the “form” of Yue’s plot: on low degree Yue offers with situations of an unintentional scenario (like her assembly with Sokka or Zhao’s assault), on excessive degree Yue observes an important reality on the earth/her life proper now

on low degree Sokka tells logically/actually related or equal (=) bits or talks about conjugated (,) circumstances

on excessive degree Sokka describes an occasion embedded (>>) in a bigger context or conjugated elements (,,)

(=) describes actually related/form of equal issues or a really robust situation.

A easy instance of (,) is “I am working to the seashore. Persons are enjoying on the seashore”: on this instance two not very associated items of data are united by frequent circumstances (by the place – the seashore), so we’re form of getting two views on the identical subject or two sides of the identical coin…

A easy instance of (>>) is “This work is so arduous! I obtained so uninterested in it!”: an occasion (“I obtained drained”) is embedded within the wider context of the arduous work.

A easy instance of (,,) is “I am working to the water. However she’s attempting to catch me!”: on this instance the entire scenario is outlined by a situation, by a pair of two related and clear elements “one tries to run away – the opposite tries to catch”

  • It is simply, all you guys can do that superior bending stuff like placing out forest fires, and flying round and making different stuff fly round. (,)(=) I can not fly round, okay? I can not do something.

  • I do know. Your butler advised me that after I met you, I must show my price. (,)(=) However the reality is … I do not know if I’m worthy. (gonna clarify:)

(on low degree) Sokka offers two sides of the identical coin (what he can do/what others can do) or tells logically related issues, (on excessive degree) Sokka describes a activity “to show price” in a bigger context of his view of himself or spits out defining elements (does not really feel worthy for the duty/in comparison with others)

This sample can also be the “form” of Sokka’s plot: on low degree Sokka thinks about tactical circumstances of an unintentional scenario, on excessive degree Sokka thinks about strategic elements on the earth/his life

on low degree Suki tells logically/actually related or equal (=) bits or provides (+) on (variations of) matters

on excessive degree Suki describes conjugated elements (,,) or tells (most vital) standalone details (.)

Suki is mainly Yue, however with elements (,,) as an alternative of general scenario (==).

  • We’ll by no means make it onto the gondola. (+)(=) There’s too many guards.

  • Okay, as an example by some miracle this all works and we make it on the gondola. (+)(=) The warden will nonetheless simply minimize the traces, even when now we have a captive.

(on low degree) Suki tells robust situations or provides on (variations of) matters, (on excessive degree) Suki describes key related elements of the scenario or simply standalone details

I quoted s1e19 “The Siege of the North, Half 1” and s3e4 “Sokka’s Grasp” and s3e15 “The Boiling Rock, Half 2”


on low degree Toph jumps (-) from a factor to a factor or expands (>) info

on excessive degree Toph describes an occasion embedded (>>) in a bigger context or tells (most vital) standalone details (.)

(-) is a wild card, it means no connection or any connection.

A easy instance of (>) is “I used to be rising flowers. Some obtained massive, some grown small”: on this instance you simply increase on the factor you already stated.

A easy instance of (>>) is “This play was so lovely! The theater is at all times wonderful!”: an occasion/factor (“play”) is embedded within the wider context of the theater.

A easy instance of (.) is “I am an enormous boss in an enormous city. I dwell an enormous life. I personal enormous cash”: on this instance you may cut up the speech into items (like “I dwell an enormous life”) with out shedding any context…

  • My dad and mom do not perceive. (-)(>) They’ve at all times handled me like I used to be helpless.

  • You guys get to go wherever you need. (-)(>) Nobody telling you what to do, that is the life. (-)(>) It is simply not my life.

(on low degree) Toph jumps from the earlier factor to the following one or expands the earlier one, (on excessive degree) Toph describes fundamental “freedom” embedded in a bigger context of life or simply standalone details

This sample can also be the “form” of Toph’s plot: on low degree Toph offers with needs of an ongoing scenario, on excessive degree Toph observes the identical needs embedded in a context of the entire world/(her) life

on low degree Zuko tells logically/actually related or equal (=) bits or jumps (-) from a factor to a factor

on excessive degree Zuko describes conjugated elements (,,) or coincidental circumstances (–) i.e. their speech does not add as much as something specifically

A easy instance of (=) is “I can not lose! If I lose, I will not have the ability to assist my mates!”: it describes actually/logically related or form of equal issues or a really robust situation.

(,,) describes 2 or extra defining related elements that outline a scenario

A easy instance of (–) is “Ice is sweet. I ate some ice as we speak.”: what do BOTH sentences describe collectively? a selected scenario? a selected reality? Nothing specifically. Just a few coincidental circumstances…

  • I see you’ve got realized a brand new trick, (=)(-) however I did not come this far to lose to you.

  • You are like my sister. Every part at all times got here straightforward to her. She’s a firebending prodigy, and everybody adores her. (=)(-) My father says she was born fortunate. He says I used to be fortunate to be born. (=)(-) I do not want luck, although. I do not need it. I’ve at all times needed to wrestle and struggle and that is made me robust. It is made me who I’m.

(on low degree) Zuko jumps from a factor to a factor or tells logically related issues, (on excessive degree) Zuko talks about key related elements or coincidences i.e. his speech does not add as much as something particular

This sample can also be the “form” of Zuko’s plot: on low degree Zuko offers with situations of an unintentional scenario, on excessive degree Zuko offers with strategic elements and coincidences on the earth/his life that create these situations (for instance binds his id to catching Aang and restoring honor or evaluating himself to his sister)

I quoted s1e19-20 “The Siege of the North, Half 1/Half 2” and s2e6 “The Blind Bandit”


Ursa, Ozai, Avatar Kyoshi, Avatar Roku, Hakoda (12)

https://www.youtube.com/watch?v=qFdCjbg7vRU (Zuko & Azula’s Household Tree)

on low degree Ursa expands info (>) or tells logically/actually related or equal (=) bits

on excessive degree Ursa shortly characterizes the scenario (++) or describes conjugated elements (,,)

A easy instance of (,,) is “I’m chasing my dream. However the extra I attempt, the farther away it will get”: on this instance the scenario is outlined by a situation of two related elements…

  • That is what mothers are like. (=)(>) In the event you mess with their infants, they’re gonna chunk you again!

  • Azula, we do not converse that means. (=)(>) It might be terrible if Uncle Iroh did not return. (=)(>) And apart from, Hearth Lord Azulon is an image of well being.

(on low degree) Ursa tells logically/strongly related issues or expands her thought, (on excessive degree) Ursa tells details with steady implications or key related elements

“Form” of Ursa’s plot: on low degree Ursa offers with robust situations of a selected ongoing scenario, on excessive degree Ursa is put in a decent spot and may be very “dependent” on some international elements on the earth/(her) life (like Mulan)

on low degree Ozai** jumps (-) from a subject to a subject or provides (+) on (variations of) matters

on excessive degree Ozai describes an occasion embedded (>>) in a bigger context or conjugated elements (,,)

  • Actually? Since you are a full-blown traitor now and also you need me gone, why wait? (-)(+) I am powerless. (-)(+) You’ve got obtained your swords. (-)(+) Why do not you simply do it now?

  • Your mom did vicious, treasonous issues that evening. (-)(+) She knew the results and accepted them. (-)(+) For her treason, she was banished.

(on low degree) Ozai jumps from a factor to a factor or provides on matters/variations of the identical subject, (on excessive degree) Ozai sees issues in context and evaluates key related elements

“Form” of Ozai’s plot: on low degree Ozai offers with a selected piling up scenario, on excessive degree Ozai sees the worldwide context and the important thing “strategic” elements (like within the Awolnation’s music “Sail”)

on low degree Kyoshi jumps (-) from a factor to a factor or expands (>) info

on excessive degree Kyoshi describes “the panorama of the scenario” (==) or conjugated elements (,,)

  • I killed Chin the Conqueror. (-)(>) A horrible tyrant, Chin was increasing his military to all corners of the continent.

  • After they got here to the neck of the peninsula the place we lived, he demanded our fast give up. (-)(>) I warned him that I’d not sit passively whereas he took our dwelling. (-)(>) However he didn’t again down.

“Form” of Kyoshi’s plot: on low degree Kyoshi offers with an unintentional prolonging scenario, on excessive degree Kyoshi observes the worldwide world’s or life’s scenario and key related elements there (much like Mika’s music “Chill out, Take It Straightforward”)

on low degree Roku tells logically/actually related or equal (=) bits or provides (+) on (variations of) matters

on excessive degree Roku describes conjugated elements (,,) or tells (most vital) standalone details (.)

Roku is similar to Ursa (as a partial inverse), however extra “imprecise”.

  • Ta Min. I used to be persistent. (=)(+) When love is actual, it finds a means. (=)(+) And being the Avatar does not damage your probabilities with the women, both.

  • It occurred so quick. (=)(+) Every part’s gonna be completely different now.

“Form” of Roku’s plot: on low degree Roku offers with piling up situations in a selected scenario (see how he talks with Sozin), on excessive degree Roku sees an important international reality and different large-scale variables

on low degree Hakoda talks about conjugated (,) circumstances or provides (+) on (variations of) matters

on excessive degree Hakoda describes “the panorama of the scenario” (==) or coincidental circumstances (–) i.e. their speech does not add as much as something specifically

  • I like you greater than something. (+) You and your brother are my whole world. (,)(+) I considered you daily after I was gone and each evening after I went to sleep, I’d lie awake lacking you a lot it could ache.

  • Everybody who’s right here as we speak got here ready to threat all the things for this mission. (+) They know what’s at stake. (,)(+) If there’s nonetheless an opportunity and there is nonetheless hope, I feel they might need Aang to go for it.

“Form” of Hakoda’s plot: on low degree Hakoda offers with piling up simultaneous circumstances of the continuing scenario, on excessive degree Hakoda observes the worldwide world’s or life’s scenario and “coincidences” or “incidents” there

I quoted s2e7 “Zuko Alone” and s3e11 “The Day of Black Solar, Half 2: The Eclipse” and s2e5 “Avatar Day” and s3e6 “The Avatar and the Hearth Lord” and s3e1 “The Awakening”


Ty Lee, Iroh, Mai, Bato, Piandao (17) Jeong Jeong, Pakku, Azula, Bumi (21)

https://www.youtube.com/watch?v=Ybq7aBUr2yo (Azula, Mai, and Ty Lee Moments!)

https://www.youtube.com/watch?v=BmPIYOceEXs (Greatest Battles from Iroh, Bumi, and Extra!)

on low degree Ty Lee tells logically/actually related or equal (=) bits or provides (+) on (variations of) matters

on excessive degree Ty Lee shortly characterizes the scenario (++) or describes conjugated elements (,,)

(++) describes one thing that repeatedly causes issues to occur (advantages/troubles or else), for instance an enormous drawback that must be solved or a present that retains of giving…

  • Oh, I am glad you are right here. (=)(+) These boys will not depart me alone. (=)(+) I assume all of them similar to me an excessive amount of.

  • Do you may have any concept what my dwelling life was like? Rising up with six sisters who look precisely like me? (=)(+) It was like I did not even have my very own title. (=)(+) I joined the circus as a result of I used to be petrified of spending the remainder of my life as a part of a matched set. (=)(+) At the least I am completely different now. “Circus freak” is a praise.

“Form” of Ty Lee’s plot: on low degree Ty Lee offers with piling up situations of an unintentional scenario, on excessive degree Ty Lee is in a decent spot and may be very “dependent” on some international elements (like Azula or having 6 similar sisters)

on low degree Iroh tells logically/actually related or equal (=) bits or conjugated (,) circumstances

on excessive degree Iroh describes an occasion embedded (>>) in a bigger context or shortly characterizes the scenario (++)

A easy instance of (,) is “I am ready for my pal! My pal makes their means by way of the troubles”: on this instance two not very associated items of data are united by frequent circumstances (by an individual – the pal) like two sides of the identical coin…

  • I used to be by no means indignant with you. (,)(=) I used to be unhappy as a result of I used to be afraid you misplaced your means.

  • Even when I did defeat Ozai, and I do not know that I may, it could be the fallacious strategy to finish the struggle. (,)(=) Historical past would see it as simply extra mindless violence, a brother killing a brother to seize energy. (,)(=) The one means for this struggle to finish peacefully is for the Avatar to defeat the Hearth Lord.

“Form” of Iroh’s plot: on low degree Iroh offers with situations of simultaneous issues (corresponding to “stability” of sunshine and darkish and and so on.), on excessive degree Iroh discovered his “spot” within the international world and life (as a thinker and observer)

on low degree Mai provides (+) on (variations of) matters or expands (>) info

on excessive degree Mai describes an occasion embedded (>>) in a bigger context or “the panorama of the scenario” (==)

  • Your mood is uncontrolled. (+)(>) You blow up over each little factor. (+)(>) You are so impatient and hotheaded and indignant!

  • I used to be a wealthy solely baby who obtained something I needed … so long as I behaved and sat nonetheless, and did not converse until spoken to. (+)(>) My mom stated I needed to preserve out of bother. (+)(>) We had my dad’s political profession to consider.

“Form” of Mai’s plot: on low degree Mai offers with yearnings of an unintentional piling up scenario, on excessive degree Mai offers with these issues in context and sees them as a worldwide scenario

Bato’s (Hakoda’s shut childhood pal) patterns is similar to Mai’s

  • No, it has been separated from the pack. (+)(>) I perceive that ache. (+)(>) It is how I felt when the Water Tribe warriors needed to depart me behind. (+)(>) They have been my household, and being other than them was extra painful than my wounds.

That is from s1e15 “Bato of the Water Tribe”

on low degree Piandao** tells logically/actually related or equal (=) bits or expands (>) info

on excessive degree Piandao describes “the panorama of the scenario” (==) or shortly characterizes the scenario (++)

  • Let me guess. You’ve got come a whole bunch of miles out of your little village the place you are the perfect swordsman on the town. (=)(>) And also you assume you should study from the grasp.

  • You messed issues up in a really particular means. (=)(>) You might be prepared for an actual sword.

“Form” of Piandao’s plot: on low degree Piandao offers with a seamless situation of an unintentional scenario, on excessive degree Piandao observes the principle supply of implications (“mess”) within the international scenario

on low degree Jeong Jeong** jumps (-) from a factor to a factor or expands (>) info

on excessive degree Jeong Jeong describes conjugated elements (,,) or coincidental circumstances (–) i.e. their speech does not add as much as something specifically

  • To grasp the bending disciplines, you need to first grasp self-discipline itself. (-)(>) However you haven’t any curiosity on this, so I’ve no real interest in you! Now, get out.

  • Water brings therapeutic and life. However hearth brings solely destruction and ache. (-)(>) It forces these of us burdened with its care to stroll a razor’s edge between humanity and savagery. (-)(>) Finally, we’re torn aside.

“Form” of Jeong Jeong’s plot: on low degree Jeong Jeong offers with yearnings of an unintentional ongoing scenario, on excessive degree Jeong Jeong offers with strategic elements and “coincidences” on the earth or life (that is all in his philosophy and expertise)

on low degree Pakku tells logically/actually related or equal (=) bits or talks about conjugated (,) circumstances

on excessive degree Pakku describes an occasion embedded (>>) in a bigger context or coincidental circumstances (–) i.e. their speech does not add as much as something specifically

  • If you wish to loosen up, then I counsel visiting a tropical island. (,)(=) If not, I will see you each at dawn. Good evening.

  • I carved this necklace to your grandmother once we obtained engaged. (,)(=) I assumed we’d have a protracted, blissful life collectively. (,)(=) I cherished her.

“Form” of Pakku’s plot: on low degree Pakku offers with situations of simultaneous issues, on excessive degree Pakku thinks about international context (traditions) and “incidents” or “coincidences” there

on low degree Azula talks about conjugated (,) circumstances or tells logically/actually related or equal (=) bits

on excessive degree Azula describes an occasion embedded (>>) in a bigger context or (an important) standalone details (.)

  • See that lady with the foolish pigtails? When she runs towards the ball, there’s simply the slightest hesitation of her left foot. (,)(=) I am prepared to guess a childhood harm has weakened her. (,)(=) Hold serving the ball to her left, and we’ll destroy her and the remainder of her workforce. Dismissed.

  • Effectively, sure, I assume you are proper. I haven’t got sob tales like all of you. (,)(=) I may sit right here and complain how our mother favored Zuko greater than me, however I do not actually care. (,)(=) My very own mom thought I used to be a monster. (,)(=) She was proper, after all, but it surely nonetheless damage.

“Form” of Azula’s plot: on low degree Azula offers with situations of simultaneous issues, on excessive degree Azula observes an important issues in some higher context (to see the place the alternatives and “stress factors” come from)

on low degree Bumi talks about conjugated (,) circumstances or tells logically/actually related or equal (=) bits

on excessive degree Bumi describes “the panorama of the scenario” (==) or conjugated elements (,,)

  • Did somebody depart the home windows open? It feels a bit of drafty in right here. (,)(=) Are you hoping I will catch a chilly?

  • Escape? I did not escape. (,)(=) Everyone else escaped.

  • Taking again my metropolis! (,)(=) You’ve got obtained no firepower. (,)(=) And it is payback time!

“Form” of Bumi’s plot: on low degree Bumi offers with situations of simultaneous issues (“alternatives”!), on excessive degree Bumi sees the worldwide scenario and strategic elements there (even “unknown” to him in the meanwhile!)

Secret message: Iroh and Bumi are cool!

I quoted s3e5 “The Seaside” and s3e19 “Sozin’s Comet, Half 2: The Outdated Masters” and s3e5 “Sokka’s Grasp” and s1e16 “The Deserter” and s1e18 “The Waterbending Grasp” and s1e5 “The King of Omashu”


Lion turtle, Avatar Kuruk, Wan Shi Tong, Hama, Koh the Face Stealer (26) Warden (jail), Common Fong, Admiral Zhao, Kuei the Earth King, Joo Dee, Lengthy Feng (32)

Bato’s different sample: (+)(>) and (>>)(.)

Toph’s different sample: one thing with a “(+)” factor.

Lion turtle

low degree: (,)(=) excessive degree: (++)(.)

  • The true thoughts can climate all of the lies and illusions with out being misplaced. The true coronary heart can robust the poison of hatred with out being harmed. (,)(=) Since beginningless time, darkness thrives within the void however at all times yields to purifying gentle.

“Form” of Lion turtle’s plot: on low degree Lion turtle offers with situations of simultaneous issues (corresponding to “stability” of sunshine and darkish and and so on.!)), on excessive degree Lion turtle observes the principle supply of troubles on the earth

Kuruk

low degree: (,)(=) excessive degree: (.)(–)

  • I’m Avatar Kuruk. After I was younger, I used to be at all times a go-with-the-flow type of Avatar. (,)(=) Folks appeared to work out their very own issues, and there was peace and good instances on the earth. (,)(=) However then, I misplaced the girl I cherished to Koh, the Face Stealer. (,)(=) It was my fault. If I had been extra attentive and extra energetic, I may’ve saved her. () Aang, you need to actively form your personal future and the future of the world.

“Form” of Kuruk’s plot: on low degree Kuruk offers with situations of simultaneous issues (“float”), on excessive degree Kuruk observes an important “occasions” and “incidents” and thinks about them

Wan Shi Tong

low degree: (=)(>) excessive degree: (++)(.)

  • Hm! People solely hassle studying issues to get the sting on different people. (=)(>) Like that firebender who got here to this place just a few years in the past, seeking to destroy his enemy. (=)(>) So … who’re you attempting to destroy?

  • Your waterbending will not do you a lot good right here. (=)(>)I’ve studied Northern water fashion, Southern water fashion, even Foggy Swamp fashion.

“Form” of Wan Shi Tong’s plot: on low degree “Tong” offers with a seamless situation of an unintentional scenario (people search methods to destroy one another), on excessive degree “Tong” observes the principle supply of troubles on the earth (it is the identical)

Hama

low degree: (,)(-) excessive degree: (>>)(,,)

“Form” of Hama’s plot: on low degree Hama offers with simultaneous unintentional circumstances, on excessive degree Hama sees issues in context and evaluates key related elements

Koh the Face Stealer

low degree: (=)(>) excessive degree: (,,)(.)

“Form” of Koh’s plot: on low degree Koh offers with persevering with situations, on excessive degree Koh observes an important details and international elements (Koh jogs my memory of Kefka Palazzo)

Warden

low degree: (=)(+) excessive degree: (>>)(,,)

  • Welcome to the Boiling Rock. I am certain you’ve got all heard the horrible rumors about our little island. (=)(+) Effectively, I simply need to let you know that they do not must be true, so long as you do all the things I say.

  • One in every of you is an impostor who thought he may idiot me. (=)(+) However now, that particular person goes to be in a whole lot of bother. Who’s it?

“Form” of Warden’s plot: on low degree Warden offers with piling up situations of an unintentional scenario, on excessive degree Warden sees the worldwide context and the important thing elements of associated to these situations

Common Fong (an “Avatar state” fanatic)

low degree: (,)(+) excessive degree: (==)(.)

Fong is form of Hakoda 2.zero or a combination between Hakoda and Aang

  • Effectively, when you take your time studying the weather, the Conflict goes on. Might I present you one thing? That is the infirmary, and people troopers are the fortunate ones. They got here again. Daily, the Hearth Nation takes lives. (,)(+) Persons are dying, Aang! (,)(+) You would finish it, now. Give it some thought.

“Form” of Fong’s plot: on low degree Fong offers with piling up simultaneous circumstances of the continuing scenario, on excessive degree Fong strikes straight to an important occasion on the earth/his life proper now

Admiral Zhao

low degree: (-)(+) excessive degree: (>>)(.)

  • This can actually be one for the historical past books, Common Iroh. (-)(+) Simply assume, centuries from now, folks will examine the nice Admiral Zhao, who destroyed the final of the Water Tribe civilization. (-)(+) You are fortunate you are right here to see it.

“Form” of Zhao’s plot: on low degree Zhao offers with an unintentional piling up scenario, on excessive degree Zhao advances to an important occasion in a worldwide context

Kuei the Earth King

low degree: (-)(=) (perhaps!) excessive degree: (++)(,,)

“Form” of Earth King’s plot: on low degree Kuei offers with situations of an unintentional scenario, on excessive degree Kuei sees the principle supply of troubles in a worldwide scenario with many chaotic variables

Joo Dee

low degree: (=)(>) excessive degree: (++)(.)

  • The Earth King may be very busy working the best metropolis on the earth! (=)(>) However he’ll see you as quickly as time permits.

  • What are you doing right here? (=)(>) It’s important to depart instantly, or we might be in horrible bother!

“Form” of Joo Dee’s plot: on low degree Joo Dee offers with persevering with (working) situations, on excessive degree Joo Dee sees the principle international supply of troubles or advantages

Lengthy Feng

low degree: (,)(+) excessive degree: (>>)(==)

  • What’s most vital to his royal majesty is sustaining the cultural heritage of Ba Sing Se. (,)(+) All his duties relate to issuing decrees on such issues. (,)(+) It is my job to supervise the remainder of town’s assets, together with the army.

  • These hooligans are a part of an anarchist cell that my brokers have been monitoring for weeks. (,)(+) In the event you take heed to them, you are enjoying proper into your personal destruction.

“Form” of Lengthy Feng’s plot: on low degree Lengthy Feng offers with piling up simultaneous circumstances of the continuing scenario, on excessive degree Lengthy Feng sees the worldwide scenario in a bigger context

Tremendous secret message: BumiIroh is cool! (I do know 1 shipper)

Tremendous secret message: Smellerbee says ‘trans rights’!

I quoted s3e19 “Sozin’s Comet, Half 2: The Outdated Masters” and s2e10 “The Library” and s3e8 “The Puppetmaster” and s1e19-20 “The Siege of the North, Half 1/2” and s3e15 “The Boiling Rock, Half 2” and s2e1 “The Avatar State” and s2e18 “The Earth King” and s2e14 “Metropolis of Partitions and Secrets and techniques”


Search for continuation and music band associations within the feedback!)


I imagine these patterns are considering patterns, they inform (in an summary means) on what a personality focuses on.

You possibly can view these patterns as completely different “exposition roles”, every character tells you one thing about some layer of the scenario.

You can also attempt to “organize” these patterns in a single international “spectrum”:

  • Avatar Kuruk < Jeong Jeong < Pakku < Zuko < Hakoda < Teo (within the center) < Admiral Zhao and Professor Zei and Mai & Bato and Avatar Roku < Chan (seashore celebration)

  • < Ozai and Avatar Kyoshi and Ursa and Azula and Sokka < Hama and Lion turtle and Iroh and Piandao and Jet and Joo Dee and Hahn (associated to Yue)

  • < Yue < Katara and Monk Gyatso and Common Fong and Toph and Ty Lee and Kuei the Earth King and Wan Shi Tong < Bumi < Aang

The farther you go, the extra characters give attention to a single reality… or the farther you go the extra context-independent or conditions-independent or context self-contained or absent of hyperlinks to outdoors elements or “”open”” it will get.

That is simply my instinct! (And I do not know find out how to order some and the place to place some)


P.S.

If these patterns apply to actual folks & music bands they’re crucial,

I need to entice consideration to these patterns and ultimately verify if they’re actual or not.

I fear about my well being, I’ll medical doctors… presently I am fearful about my eyes (Photopsia and Visible snow)

I dedicate my posts to actual folks, to folks I do know, to previous chess gamers I do know and to my love 18 y/older than me in an oppressed european nation

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